Okay Photo (Jaz Blom, Michael Rees-Lightfoot)
Sport and art are separate identities.
They are positioned as opposing, antithetical. But the two often interact with, and inform, the other. Both are vehicles: for growth, for expression, for change; for us to understand the world and share meaning. They cultivate connections. They forge empathy.
thist seeks to reconcile both.
Rhydian Cowley is 181cm. He was born on the fourth day of January in 1991 and lives on Wurundjeri Country. Rhydian uses he/him pronouns. A professional race walker, he has been to three Olympics. He has never eaten haggis.
Marissa Williamson Pohlman is 173cm. Born on the nineteenth day of February in 2002, she is a Ngarrindjeri woman raised on Wadawurrung Country and currently living on the unceded lands of the Wurundjeri Woiwurrung people. Marissa uses she/they pronouns. They are a professional boxer. They have never eaten a witchetty grub.
Joe Williams is 171cm. He was born on the fourth day of September in 19831. He is a Wiradjuri/Wolgalu man who lives on Wiradjuri country. Joe uses he/him pronouns. He was a professional NRL player who became a professional boxer and, now a PhD candidate, is an adjunct associate professor at the School of Psychology. He has never eaten a frog.
The tiniest scrape exposes the fragility of it all: any of my ‘achievements’ are so complex they are sullied — each ‘success’ might be more accurately defined as a composite of failures.
Sport has given me a lot of things: diverse skills, support structures, a wider understanding of myself. It has not rid me of the self-consciousness attached to existing as a girl, then a woman.
What would you rather watch with your family: sex scenes or violence?
For many players, the state league season is imbued with a sense of hope. It is an audition for the national league. But there is no point in auditioning if there are no available positions.
Is there a viable way for an athlete whose family is not in a position to afford the perpetual costs of high performance programs on top of their regular club fees to make the national league?
A man called me a skeezer on The Pick and Roll’s republishing of The Fallacy. I did not know what this word meant. I suspected by his tone, though, it was most likely unflattering, and that was correct.
I think I always knew I just needed to be seen. I believed in myself — not in a cocky way, but I knew I had done what I needed to do to get the opportunity and all I needed was that first chance.